Lingua: INTERNATIONAL

An Object at Rest follows the life of a stone as it travels over the course of millennia, facing nature's greatest obstacle: human civilization. My final thesis film at CalArts!

So, this is what happened. The three of us came into the airport and the flight was delayed by nearly two hours.

autoproduzione audio/video music : basso elettrico + Renoise video : VSE Blender Quest' opera è distribuita con licenza Creative Commons Attribuzione - Non commerciale - Condividi allo stesso modo 3.0 This video is fair use under U.S. copyright law because it is (1) noncommercial, (2) trasformative in nature, (3) does not compete with the original work and could have no negative effect on its market

Fusión, tocando al mismo tiempo un grupo folclórico andino y un grupo punk y en la pista muchos bailarines con sus trajes típicos Publicado por: Rosse Luna

In 1927, Harman and Ising were still working for the Walt Disney Studios on a series of live-action/animated short subjects known as the Alice Comedies. The two animators created Bosko in 1927 to capitalize on the new "talkie" craze that was sweeping the motion picture industry. They began thinking about making a sound cartoon with Bosko in 1927, before even leaving Walt Disney. Hugh Harman made drawings of the new character and registered it with the copyright office on 3 January 1928. The character was registered as a "Negro boy" under the name of Bosko

Visita: www.cinelatinotrieste.org

Public Domain Animation

To launch the 2018 International Jazz Day celebration, we presented a special #Jazz Day Salute to New Orleans where Jazz was born! Performers included Herbie Hancock, Terence Blanchard, Ledisi, Patti Austin, Philip Bailey, Bilal, Preservation All-Stars, Jon Cleary, John Beasley (Musical Director) and so many more great musicians coming together to recognize the 300th anniversary of the City of New Orleans and Jazz as the universal language of peace.

This video is fair use under U.S. copyright law because it is (1) noncommercial, (2) trasformative in nature, (3) does not compete with the original work and could have no negative effect on its market.

Miles Davis famously once said, "I have to change; it's like a curse." And, that’s exactly what he did throughout his entire career.
In 1969, the trumpet icon may have pulled off his greatest reinvention yet: he went “electric.” He turned the jazz world upside down. It was the beginning of what is commonly referred to as the Electric Miles period – groundbreaking, raw, controversial, and now, classic.
“He had been evolving all along,” electric bassist (and Davis collaborator) Marcus Miller says about his idol. “In the same way that America's ... continua